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5-star-songs:

“Frontwards” – PAVEMENT

Stephen Malkmus summed up this early song’s appeal – as well as Pavement’s, more generally – when he told Newsweek, “The Fall has been eradicated. It’s a little more song-y…Oasis could have used those chords, as far as I’m concerned. They’re that good.” In other words, the band has sanded away just enough of their abstract edges to make something hummable, while still being weird enough to appeal to the kind of alienated slackers Malkmus considered his brethren.

The lyrics reinforce that feeling, with their jaundiced observations of late-70s Stockton, CA youth, and Malkmus’ insistence that he’s different: “I’ve got style/miles and miles/so much style that it’s wasted.”

As choruses go, that one may not be as catchy as required to get on the same radio stations Oasis conquered, but it’s sharp enough to serve as a rallying cry for a generation of outsiders who don’t mean to be smug – we just can’t help it, sometimes.

(via bibulb)

  • 4 years ago > 5-star-songs
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Q:just reread singles club, and i'm wondering...if cole could teach kid-with-knife how to do some phonomancy, does that mean that anyone CAN be a phonomancer, in the same way anyone could be a, i don't know, writer, or doctor, or plumber, if they did the work to learn and practice it? it's less an inherent ability or superpower, and more a skill set, and the ppl who call themselves phonomancers are just the ones who dedicate serious time and effort to it?

Anonymous

kierongillen:

It’s more than that.

The relevant pages…

image
image

Allow me to highlight the key line.

image

Everyone can and does use phonomancery. The magic is for everyone.

“Phonomancer” is a label for people who are just obsessed with this shit. Phonogram, generally speaking, is a book not about people who music has made better. It’s a book about people who need music more than any reasonable level. It’s a book about addicts.

But the magic it describes is for everyone and anyone who wants it, and distrust anyone who says otherwise.

    • #phonogram
  • 4 years ago > kierongillen
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micdotcom:

Punk band Speedy Ortiz opens hotline for fans being harassed at shows 

Massachusetts-based band Speedy Ortiz has opened a “help hotline” for fans to use if they “are being harassed, or feel unsafe and need help” at shows. The plan aims to limit all harassment, including “oppressive and marginalizing actions and micro-aggressions,” taking place in their audiences. If successful, the hotline could be a game changer for live music.

I am ALL for declaring that shows are under Pax Groove, and if you violate that… well, here’s your invitation to the world, jackass.

(via devowasright)

Source: mic.com

  • 8 years ago > micdotcom
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Janelle Monae & Jidenna Lead Philly March Against Police Brutality

(via retro-sci-fi-songbird)

    • #janelle monae
    • #jidenna
    • #activism
    • #hell yes
  • 8 years ago > monaedroid
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quitebrilliantindeed:

PHONOGRAM REACTIONS:

  • AESTHETIC
  • AESTHETIC
  • AESTHETIC
  • OH MY GOD
  • I’ve been ACHING to get Emily’s story, especially since the Singles Club. It’s shaping up to be excellent already. God. Masterful storytelling as always
  • AND THE TAKE ON ME HOMAGE IS BEAUTIFUL?????? SHIT.
  • 8 years ago > quitebrilliantindeed
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A critic is somebody who has kind of lost themselves in the medium. The most common mistake people have about Phonogram is they think it’s some kind of glorification or, like, dream, wish fulfillment, and it’s completely the opposite.

This is a cautionary tale. Explicitly at the end of the second series of Phonogram, it’s like, “Everyone uses music. Everyone knows music is magic.”

The problem with the phonomancers is they are lost in it. They’re addicts. They’re not higher than the normal person; they’re lower. They’re chasing highs, and they’re starting to put things in front of people. That’s the cautionary tale, and this is kind of what I’m writing about.

I kind of take these pathologies of music love, which I think that’s what a lot of being a critic is like, pathology and following it through. By seeing extreme cases, you can talk about — you can make clear, very general points. A lot of the characters in the book are fictionalized versions of people whose writing voices I admired.

Kieron Gillen.
(via bowiesongs)

There’s stuff I want to say here about the Myth’s speech at the beginning, but I don’t want to drop spoilers for a little while.

But, whoo yeah. 

    • #phonogram
  • 8 years ago > bowiesongs
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kierongillen:
“ “PHONOGRAM: THE IMMATERIAL GIRL #3 (of 6)
STORY: KIERON GILLEN
ART / COVER: JAMIE McKELVIE & MATT WILSON
OCTOBER 14 / 32 PAGES / FC / M / $3.99
Turn around, bright eyes, every now and then we do a comic. Monthly. After years of delays...
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kierongillen:

PHONOGRAM: THE IMMATERIAL GIRL #3 (of 6)
STORY: KIERON GILLEN
ART / COVER: JAMIE McKELVIE & MATT WILSON
OCTOBER 14 / 32 PAGES / FC / M / $3.99

Turn around, bright eyes, every now and then we do a comic. Monthly. After years of delays and not doing it, but monthly now, honest.

Image solicits for October. Also includes WicDiv 15.

I am quite plainly freaking the hell out about how all this is shaping up.

    • #phonogram
    • #the immaterial girl
    • #hurra torpedo
  • 8 years ago > kierongillen
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bulletsareextinct:

thelastwordinstolentelling:

Gang of Four
“I Found That Essence Rare”
Entertainment! (1979)

This is still lit.

(via patbenatar-deactivated20150908)

    • #i found that essence rare
    • #gang of four
  • 8 years ago > thelastwordinstolentelling
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The Return of the Ultimate Music-Obsessive Comic, Phonogram

tomewing:

Kieron Gillen says that the most common misunderstanding about Phonogram is that it’s a comic by and for elitist music snobs. I hope that by interviewing them for Pitchfork I can help put this myth to bed.

ONLY JOKING U GUYS, Pitchfork, like Phonogram, is for the people. The people who like stuff more than is healthy. This is a very enjoyable comic, actually the Phonogram I’ve most instantly liked, and more accessible than it’s often painted as, the interview is nicely ruminative about music and comics, and goes into a bit of detail for existing Phonogrammies. Thanks to Kieron for doing it at short notice, and to Team Phonogram for putting out a comic that made me laugh and sigh and cringe, and remember fine and terrible times.

  • 8 years ago > tomewing-blog
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Q:I recently finished reading Rue Britannia, and despite really enjoying it I felt I could get more out of it with more knowledge of the music you built it around. What would you say was the essential listening for it?

harpguy-deactivated20221117

kierongillen:

Elastica and Pulp are the only bands we recommend without reservation from Britpop, and with Elastica we have to do a Stalinist revision of history that made them only release one album.

The core albums to get are the three period albums by the three biggest bands. You’ll get a lot from them, especially if you listen to them in order. I stress, not all of them are good throughout (or good at all) but that’s the story we’re telling.

BLUR: MODERN LIFE IS RUBBISH/PARK LIFE/THE GREAT ESCAPE
PULP: HIS'N"HERS/DIFFERENT CLASS/THIS IS HARDCORE
OASIS: DEFINITELY MAYBE/WHAT’S THE STORY MORNING GLORY/BE HERE NOW.

You probably need BLUR’s Eponymous one they released after THE GREAT ESCAPE as well.

I’d probably get Elastica’s Elastica before going into most of them.

Otherwise, going  through the notes in the back and listening to anything that sounds interesting would be the next step.

Obviously, Kenickie. 

    • #phonogram
    • #music recs
    • #elastica
    • #pulp
    • #blur
    • #what no kula shaker?
  • 8 years ago > kierongillen
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